

1.03: Theresa is angry that Bernard told her Ford wouldn't be a problem.1.02: a short variation appears when Mave is talking to a guest and suddenly remembers being attacked in her past life.1.02: Dolores looks at her reflection in a window.1.01: Peter Abernathy begins acting strange and whispers something into Dolores' ear (variation).1.01: Theresa tells Bernard to run a diagnostic for the sheriff, and a fly lands on Teddy's face while he is sitting in front of a cabin.1.01: the first half of the track was used when Bernard and Stubbs go down to Cold Storage.A short variation of this track also appears in "This World.".1.09: a variation of the theme is used when Dolores meets Arnold and realizes that she killed him.1.04: a variation of the theme is used when Dolores tells Arnold that her parents were killed and that she thinks there might be something wrong with this world.2.10: the theme was used towards the end of the episode, when Dolores tells Bernard she remembered him and when she (in Charlotte's body) arrives at Arnold's house.1.07: Parts of the track can also be heard when Maeve watches Clementine being lobotomized.
#WESTWORLD PAINT IT BLACK WILLIAM FORESHADOW FULL#
The full track appears later when Dolores says the phrase "These violent delights have violents ends" to Stubbs, she tells him what she thinks of this world, Bernard brings Peter Abernathy to the storage, and Dolores kills a fly.


Variations of the theme also appear in the season 1 tracks "No One's Controlling Me," "Bicameral Mind," the season 2 track "Core Drive," the season 3 tracks "Start a Revolution," "Why Are We Here?," "Activate," "The Choice Is Yours," and the season 4 tracks "Set Ourselves Free" and "Sweetwater Reprise." The intro of the track reappears in the Season 4 track "Enter Sandman". Another version ("Paint It, Black") appeared in the episode 2.05 " Akane No Mai" and was released on the soundtrack for Season 2. Note: this is the show's first cover version of the Rolling Stones song "Paint It Black".1.01: Hector, Armistice and the bandits attack Sweetwater.1.01: Maeve talks to Kissy in the Mariposa before she leaves.2.04: a man is playing the theme on guitar when Craddock goes to talk to the Man in Black.Variations of the theme were used in the end credits of episodes 1.10 and 2.03 (flute version).Variations of the theme also appear in the Season 1 tracks "Nitro Heist," "Pariah," "What Does This Mean," "Trompe L'Oeil" and "Sweetwater Stride," in the Season 2 tracks "The Raj" and "My Speech," and in the Season 4 tracks "Welcome to the Golden Age," "Années Folles," "Sweetwater Temperance," "They Are After Your Hooch," and "Sweetwater Reprise".The theme is also used for Teddy's repeated loops. 1.01: The full track can be heard when Teddy sits in the train, arrives in Sweetwater and visits the Mariposa (first loop).It is also often used to signify the start of a new loop. The Main Theme for the park, which is often used when characters travel in the train and arrive in Sweetwater.Originally by Claude Debussy "Rêverie" (L.68)ġ.03 "The Stray", 1.04 "Dissonance Theory"ġ.05 "Contrapasso", 1.09 "The Well-Tempered Clavier", 1.10 "The Bicameral Mind", 2.01 "Journey Into Night", 2.02 "Reunion"ġ.02 "Chestnut", 1.04 "Dissonance Theory", 1.05 "Contrapasso"ġ.05 "Contrapasso", 1.10 "The Bicameral Mind", 2.04 "The Riddle of the Sphinx"ġ.01 "The Original", 1.02 "Chestnut", 1.10 "The Bicameral Mind"ġ.02 "Chestnut", 1.10 "The Bicameral Mind"ġ.10 "The Bicameral Mind", 3.01 "Parce Domine"ġ.03 "The Stray", 1.10 "The Bicameral Mind" 1.01 "The Original", 1.10 "The Bicameral Mind", 2.01 "Journey Into Night"ġ.01 "The Original", 1.09 "The Well-Tempered Clavier"ġ.01 "The Original", 1.02 "Chestnut", 1.03 "The Stray"ġ.02 "Chestnut", 2.04 "The Riddle of the Sphinx"
